Wow... after reading all that I almost feel ashamed to say anything bad at all.
Naah, that's fine. So far most criticism has been on a pretty sophisticated level ... really, if what people are criticising here for the most part is really the only things they can think of, I think we're getting away pretty well this year
And we know it's impossible to appeal to everyone.
And I hear people complaining about the heads they saw all the time, but I don't hear people saying how AWSOME those quadruple animals looked. The moves they could do with walking, jumping etc just looked amazing.
Thank you! We were a little bit amazed how versatile they turned out to be. When we tried them out for the first time, we were very worried if we would be able to play them convincingly, and believe me ... we're our own biggest critics in that regard
And we had some serious issues to overcome with proportions, height, and the body sized of our actors! Pan had to wear 10cm high platform boots, and Yun (the golden tiger) had to be retrofitted with reinforced rubber bands in her back so she could hold her head high all the time. And coordinating three people to move four paws, head/jaw/eyes/tail and moving the body at the same time was quite a challenge too. Especially furing the fighting/running/jumping. People got themselves quite a few bruises and scratches during the rehearsals.
(I don't think that anyone has ever tried playing a quadruped puppet from below yet. I've seen it done "black screen" style with puppeteers playing the puppets on the ground, or as marionettes ... but not handpuppet-style from below)
The more am I happy to read that people liked how they moved
I have 1 comment that bothered me for the storytelling part.
The dragon at the end scene was on the run for days, taken captive, tortured and then taken under automated fire. Still he was able to easily over throw his wife and didn't looked hurt at all. Sorry, but it feels a bit Dues Ex Machinae.
Yeah, I admit, making the dragon virtually indistructable was a bit too obviously a plot device. There are a lot of directions in the script to hint at how hurt he actually is, but then ... I guess it didn't quite come across in the end.
Just for fun, I'll give you a little glimpse into the writing process that lead to this situation:
You can't imagine how many times the ending scene has been re-written to make it work somehow
Originally we were planning to have a real played-out ending, with everyone escaping from the roof before Jiao-Chan even arrives. Cai-Lung was supposed to fly away from the rooftop, taking Cornelius and Yun with him. Then Jiao-Chan was supposed to have the final dialogue with Null, and then Null would take over control and the story would be over.
Later in the production, when the puppets were being built, we realized that Cai-Lung carrying other puppets and flying away was impossible to play. So our "heroes" had to stay on the roof and face Jiao-Chan - which is problematic, because she's got like, a private army behind her. So we re-wrote the story into what it finally turned out to be: Jiao Chan lost her support from the government because she disobeyed the orders of her superiours and decided to go after Cai-Lung herself. So in the end, she shows up on the roof alone. But how do you take down a tigress with a gun without shooting her first? So we came up with Cai-Lung just taking the hits and then basically just dominating Jiao-Chan ... and that was the ending that you got to see.
(By the way, some bits of the original ending are still in there. Like, Cornelius asking "You're a dragon. You can fly, right?". You can spot more if you listen closely
)
- The shopkeeper that fixed the telephone made a joke at the end of the scene, so everyone was laughing. But, I thought I heard a shot. So... did he get shot?
Yes. And I was a bit surprised that people laughed! It was totally not meant to be funny. It was supposed to be tragic! The man's a hero, and he probably knew a lot more about what was going on than he admitted. He was a very close friend of Null.
That's all. All criticism aside, I sat through the whole show only left the second pauze for a beer. I didn't want a miss a second. And it has been worth it. I respect the medium and understand it's limitations. You are masters in your own right bringing us yet again with an amazing story, backdrops, puppets, video, props and music that you produced just for this years convention. I find it incredible. Thank you yet again for a wonderful experience.
You're more than welcome. I'm happy we were able to give you a great time. That's what we're here for after all